Re-wetting the void

Re-wetting the void is a group exhibition that explores sound as a medium by inviting audiences into an inner state of listening and stillness. Posited by the late pioneering composer and accordionist Pauline Oliveros, the mere act of observing a sound changes the sound itself, while simultaneously changing the listener.

The exhibition features painting, photography, video, sound, sculpture and installation works by an all-female group of artists: WeiXin Quek Chong (b. 1988, Singapore; living in Madrid), Isabella Dyson (b. U.K.; living in London), Chang Meng (b. China; lives and working between London and Chengdu), Phuong Nguyen (b.1992, Canada; living in Toronto) and Fiona Ones (b.1986, Germany; living in Munich).

On the occasion of London Gallery Weekend, a live activation by collective Tangram titled After the Water Has Left responds to the exhibition around the theme of the Tao of Tea, including audience participation in a tea ceremony.

a-i-gallery.com

Re-wetting the void is a group exhibition that explores sound as a medium by inviting audiences into an inner state of listening and stillness. Posited by the late pioneering composer and accordionist Pauline Oliveros, the mere act of observing a sound changes the sound itself, while simultaneously changing the listener....